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The ‘Gaza Strip’, as it is today, is not so much a geographical entity as the product of the tormented and tragic history of a territory where the majority of the population is made up of refugees who have already attempted to escape other torments, and other tragedies.Gaza’s borders have closed in on those who have fled there: the refugees born within the territory have been destined to remain confined within it, a fate they also share with all of those who have dreamed of leaving it.
Lindh, before his turn toward radical Islam, used to post regularly on hip-hop message boards in the adopted persona of a racially-conscious black hip-hop artist (Lindh is white, from the wealthy northern California region of Marin County).what if all Her stores were open’d, and this Firmament Of Hell should spout her Cataracts of Fire, Impendent horrors, threatning hideous fall One day upon our heads; while we perhaps Designing or exhorting glorious warr, Caught in a fierie Tempest shall be hurl’d Each on his rock transfixt, the sport and prey Of racking whirlwinds, or for ever sunk Under yon boyling Ocean, wrapt in Chains; There to converse with everlasting groans, Unrespited, unpitied, unrepreevd, Ages of hopeless end; this would be worse.Warr therefore, open or conceal’d, alike My voice disswades; for what can force or guile With him, or who deceive his mind, whose eye Views all things at one view?In fact, the only thing I can think of that’s arguably both universal and more richly personal than individual persons is poetry — so I’ll let the Israeli poet, Yehuda Amichai, have the last word, as Gregory does: The Diameter of the Bomb .The diameter of the bomb was thirty centimeters and the diameter of its effective range about seven meters, with four dead and eleven wounded.Neither Israel nor Egypt wanted the ‘Strip’ to exist: it is a territorial entity ‘by default’.
** When Filiu wrote his earlier book, Apocalypse in Islam, he knew the realities of the situation demanded he research pop culture as well as classical sources in Qur’an and ahadith — and devoted 8 full-color pages to illustrations of 21 book-covers like these: It’s not surprising, then, that he covers “the travails of Gaza’s burgeoning hiphop scene” in this one — but the point I wish to make is more general.
And I won’t even mention the crying of orphans that reaches up to the throne of God and beyond, making a circle with no end and no God.
[ by Charles Cameron — on the hopelessly interdisciplinary nature of reality ] .
A clear must-read for all those seeking to think outside the existing outdated prisms for studying history, and the future of Gaza and Palestine/israel writ large.
Considering the appalling reality of life in contemporary Gaza, a broader view of the current situation can only be taken from the perspective of history, with an attempt to set aside the disorientation, the horror and the hatred that the present situation has engendered.
And thus also, Disney characters now show up in anti-Hamas propaganda…